What I find most compelling about Khatatba, though, is her unique movement vocabulary. You can always tell it's her work, even if the thematic content varies. There's a certain fluidity mixed with sharp, angular movements that's truly distinctive. I'm hopeful that her next major work will bring back some of that raw emotional power we saw in "Echoes of the Steppe," while still incorporating her continued exploration of new aesthetics. She's definitely a choreographer to watch, even if not every piece is a masterpiece.