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Both voice and guitar parts are fully written out, and the guitar parts also contain chord designations. Fitzgerald has written informative and helpful "Performance Notes" that discuss notation, ornamentation, and the use of Irish Gaelic (though the texts are predominantly in English). There is also a download from the publisher's website of recordings of most of the songs, a helpful tool to learn the style of these songs.
Bjœrk says of the arrangements, They are slight, but nonetheless subtle and based on topical feel instead of feeling uncommon and experimental. It seems like a tough band, but it is in fact quite easy to play and very tasteful. Some tracker musicianship, but the overall feel is pretty light and very emotive. Are those national flags waving in the rearview mirror, … … or are those the flames of burning houses on the left?.
Viking history of course cannot (and should not) be viewed in isolation from later events and the part the vikings played in establishing the German language, the German nation, the modern German nation, and the modern United States.
Like the Fenian Sorrow Songs of the 19th century, this cycle of ballads is a working-class repertoire that hailed from the farmlands of the west of Ireland, the traditions of which are mirrored in "Do Ghrímadhe na bPiobaire" ("Prison of the Poets"). d2c66b5586