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Meanwhile, rappers from New York City, such as Wu-Tang Clan, Black Moon and Boot Camp Clik, Onyx, Big L, Mobb Deep, Nas, The Notorious B.I.G., DMX and The LOX, among others, pioneered a grittier sound known as hardcore hip hop. In 1994, both Nas and The Notorious B.I.G. released their debut albums Illmatic (April 19) and Ready to Die (September 13) respectively, which paved the way for New York City to take back dominance from the West Coast. In an interview for The Independent in 1994, the Wu-Tang Clan's GZA commented on the term "gangsta rap" and its association with his group's music and hip hop at the time:
Prior to the release of his first studio album, titled Power of the Dollar, 50 Cent was shot nine times in Queens, New York, on May 24, 2000. He survived but was dropped from his label, Columbia Records, who canceled the album's release. In 2002, Eminem listened to a copy of 50 Cent's Guess Who's Back? mixtape album through Jackson's attorney, who was working with Eminem's manager Paul Rosenberg.[3] After being impressed with the mixtape, Eminem invited 50 Cent to Los Angeles where he was introduced to producer Dr. Dre.[4] 50 Cent signed a one-million-dollar record deal with Eminem and Dr. Dre; 50 Cent then released his next mixtape, No Mercy, No Fear. It featured his own 8 Mile single, "Wanksta" (in addition to appearances on three other tracks from the album), which was later put on Get Rich or Die Tryin'. Both Eminem and Dr. Dre had started working-productions on his debut album with additional help from producers Mike Elizondo, Sha Money XL among others.
In his review for USA Today, Steve Jones believed that the album is worthy of the hype 50 Cent had attracted because of how he "delivers, in vivid detail, stories of the violent life he led as a crack dealer and speaks with the swagger of one who has been shot nine times and lived to tell about it."[18] AllMusic's Jason Birchmeier described it as "impressive" and "incredibly calculated", and identified it as "ushering in 50 as one of the truly eminent rappers of his era".[10] Rolling Stone magazine's Christian Hoard praised the album's production and 50 Cent's "thug persona" and rapping ability.[17] Brett Berliner of Stylus Magazine felt that he is versatile as a rapper and wrote that, "while not even close to perfection, [the album] is one of the freshest to come out in years."[20] It is one of only 19 rap albums to receive a perfect rating from XXL magazine.[19] Kelefa Sanneh of The New York Times wrote that 50 Cent is "an appealing, mischievous character" whose talent for threatening raps aimed toward rivals is also limiting thematically.[21]
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